Sexuality in the Victorian Era in Sarah Raul´s In the Next...

Women of today are not the women of yesterday. Women have undergone a theatrical transformation which makes them bold, independent, and free-spirited beings. A voice that was once suppressed no longer can be tamed; this is illustrated through the rise of both male and female playwrights who continue to reinvent the role of women as more than â€Å"man’s other†. In her book, â€Å"Modern Drama by Women, 1880s-1930s: An International Anthology,† author Katherine Kelly references a quote by scholar Carrie Chapman Catt, that beautifully frames the transformative state women have undergone. According to Chapman: â€Å"Women are organizing, speaking, working †¦ [and] it is now a crucial time, when our Western help may give impetus and permanence to the movement†¦show more content†¦Additionally, women were condemned from participating in sexual activities outside of the confinements of marriage. In the book, Sex Tips for Husbands and Wives from 1894, Vi ctorian author Ruth Smythers, outlines the guideline on how women should endure sex. For instance she notes: 1. THE wise bride will permit a maximum of two brief sexual experiences weekly — and as time goes by she should make every effort to reduce this frequency. Feigned illness, sleepiness and headaches are among her best friends in this matter.† 2. A WISE wife will make it her goal never to allow her husband to see her unclothed body, and never allow him to display his unclothed body to her. 3. WHEN he finds her, she should lie as still as possible. Bodily motion could be interpreted as sexual excitement by the optimistic husband. Sex, when it cannot be prevented, should be practiced only in total darkness. 4. IF he attempts to kiss her on the lips she should turn her head slightly so that the kiss falls harmlessly on her cheek instead. If he lifts her gown and attempts to kiss her any place else she should quickly pull the gown back in place, spring from the bed, and announce that nature calls her to the toilet (Smythers). Smythers’ book serves as a lens into the inner-workings of sexual life for a married Victorian women; moreover, it is evident that they were constricted from exploring their sexuality. Raul uses this ignorance as a pretense to the emergence of sexuality

Four Approaches to Information Technology Infrastructure Investment Free Essays

FOUR APPROACHES TO INFORMATION TECHNOLOGY INFRASTRUCTURE INVESTMENT Presented by: Kemeasoudei Fanama (u0856287) WHAT IS INFORMATION TECHNOLOGY? Information technology is defined as the study, design, development, implementation, support or management of computer- based information systems, particularly software applications and computer hardware. IT deals with the use of electronic computers and computer software to convert, store, transmit, process, protect and securely retrieve information. APPROACHES TO INFORMATION TECHNOLOGY INFRASTRUCTURE INVESTMENT 1. We will write a custom essay sample on Four Approaches to Information Technology Infrastructure Investment or any similar topic only for you Order Now Fundamental Approach: The basic tenets of the fundamental approach, which is perhaps most commonly advocated by investment professionals, are as follows: There is an intrinsic value of a security and this depends upon underlying economic (fundamental) factors. The intrinsic value can be established by a penetrating analysis of the fundamental factors relating to the company, industry, and economy. At any given point of time, there are some securities for which the prevailing market price would differ from the intrinsic value. Sooner or later, of course, the market price would fall in line with the intrinsic value. ? ? ? Superior returns can be earned by buying under-valued securities (securities whose intrinsic value exceeds the market price) and selling over-valued securities (securities whose intrinsic value is less than the market price). APPROACHES TO INFORMATION TECHNOLOGY INFRASTRUCTURE INVESTMENT (continued) 2. Psychological Approach: The psychological approach is based on the premise that stock prices are guided by emotion, rather than reason. Stock prices are believed to be influenced by the psychological mood of the investors. When greed and euphoria sweep the market, prices rise to dizzy heights. On the other hand, when fear and despair envelop the market, prices fall to abysmally low levels. Since psychic values appear to be more important than intrinsic values, the psychological approach suggests that it is more profitable to analyse how investors tend to behave as the market is swept by waves of optimism and pessimism which seem to alternate. The psychological approach has been described vividly as the ‘castles-in-air’ theory by Burton G. Malkiel. Those who subscribe to the psychological approach or the ‘castles-in-the-air’ theory generally use some form of technical analysis which is concerned with a study of internal market data, with a view to developing trading rules aimed at profit-making. The basic premise of technical analysis is that there are certain persistent and recurring patterns of price movements, which can be discerned by analysing market data. Technical analysts use a variety of tools like bar chart, point and figure chart, moving average analysis, breadth of market analysis, etc. APPROACHES TO INFORMATION TECHNOLOGY INFRASTRUCTURE INVESTMENT (continued) 3. Academic Approach: Over the last five decades or so, the academic community has studied various aspects of the capital market, particularly in the advanced countries, with the help of fairly sophisticated methods of investigation. While there are many unresolved issues and controversies stemming from studies pointing in different directions, there appears to be substantial support for the following tenets. Stock markets are reasonably efficient in reacting quickly and rationally to the flow of information. Hence, stock prices reflect intrinsic value fairly well. Put differently: Market price = Intrinsic value Stock price behaviour corresponds to a random walk. This means that successive price changes are independent. As a result, past price behaviour cannot be used to predict future price behaviour. In the capital market, there is a positive relationship between risk and return. More specifically, the expected return from a security is linearly related to its systematic risk. Stock price behaviour corresponds to a random walk. This means that successive price changes are independent. As a result, past price behaviour cannot be used to predict future price behaviour. In the capital market, there is a positive relationship between risk and return. More specifically, the expected return from a security is linearly related to its systematic risk APPROACHES TO INFORMATION TECHNOLOGY INFRASTRUCTURE INVESTMENT (continued) 4. ? Eclectic Approach: The eclectic approach draws on all the three different approaches discussed above. The basic premises of the eclectic approach are as follows: Fundamental analysis is helpful in establishing basic standards and benchmarks. However, since there are uncertainties associated with fundamental analysis, exclusive reliance on fundamental analysis should be avoided. Equally important, excessive refinement and complexity in fundamental analysis must be viewed with caution. ? Technical analysis is useful in broadly gauging the prevailing mood of investors and the relative strengths of supply and demand forces. However, since the mood of investors can vary unpredictably excessive reliance on technical indicators can be hazardous. More important, complicated technical systems should ordinarily be regarded as suspect because they often represent figments of imagination rather than tools of proven usefulness. The market is neither as well ordered as the academic approach suggests, nor as speculative as the psychological approach indicates. While it is characterised by some inefficiencies and imperfections, it seems to react reasonably efficiently and rationally to the flow of information. Likewise, despite many instances of mispriced securities, there appears to be a fairly strong correlation between risk and return. ? THANK YOU!!! How to cite Four Approaches to Information Technology Infrastructure Investment, Essay examples

Edgar Allen Poe From Inside Essay Example For Students

Edgar Allen Poe From Inside Essay Many romanticists focused on the contemplation of the natural world, but few dared to journey down the road of the unexplainable into the supernatural realms. Only one man, Edgar Allen Poe, crossed the threshold between the real world and the dark and dreary habitat of his mind. Unlike the masses, Poe disregarded the French revolutionary philosophy, humanitarianism, reform, the new interpretation of nature, and exploration of the past. He worked on exploiting the purely imaginative faculty of his mind and focused on the realm of mystery and horror (Blankenship, 216). He treaded the rich and sometimes dank soil of the Gothic and grotesque. His tales littered with distraught narrators, deranged heroes, and doomed heroines caused the atmosphere of his work to fall somewhere between a nightmare and hallucination (Edgar Allan Poe, 260). All of his fictions contain an evident irritation with the commonplace and a penchant for intellectual and emotional extremes (Conn, 133). Poe distinguished himself from many of his contemporaries and successors with his feverish search of perfection. To Poe literature was a serious vocation expressing the beauty and poignancy of life and to be effective required flawlessness. One of his few weaknesses however was his intellectual detachment from his time and environment (Blankenship, 216). Poe is most noted for his incredible short stories of the bizarre and insane (Edgar Allan Poe, 260 ). Poe does not invent the short story, but he is one of the first to distinguish between a story that is short and a short story by defining one. Poe simply states that a short story should emphasize unity or the totality of the impression and brevity because the unity of the story is lost in a mass of details. Also, the writer must chose the desired effect and then create incidents to assist in the creation of that effect (Blankenship, 260). In addition to the unexplainable, supernatural realms and the consequences of allowing our wants to impel our choices and actions in life, the arts and sciences were recurrent topics for Poe in his poetry. Many times it seemed as if art and science were characters playing the roles of opposite foes, and the same could be said for sanity and insanity. Poe reminds the reader that there is a fine line between sanity and insanity, love and hate, and even the dream world and the real world. It is as if Poe saw dreams as an entrance to the subconscious mind where the line between reality and the imaginary diverged and then blended in a violent, continuous cycle of blurred creativity that bordered on insanity. In â€Å"Sonnet-to Science† it would seem from his choice of words used to describe science that he thought of science as quite evil. Poe used words like preyest, Vulture, and torn, to describe sciences impact on mankind. Apparently, Poe did not view science or the advances mad e by science as a good thing, rather he felt that science alterest all things with thy peering eyes.(2) The eye for most poets has long been considered a window to the soul and as such Poe must have thought that science was becoming to God-like if it had such power to alter all things just by examining them closely. It would seem that he felt certain things about the human psyche or form needed to remain a secret from man. He most certainly felt that science was trespassing on matters of the heart in terms of the heart representing emotion and ones experiences in life as denoted in the line, â€Å"Why preyest thou thus upon the poets heart(3)†. It was as if he thought that the realities as unearthed by science were destroying the heart of man by replacing emotion with an emphasis toward reasoning and intellect which might be construed by a poet as cold detachment. In â€Å"SilenceA Sonnet,† Poe seemed to be addressing the corporate silence as the symbolic nature of dea th almost as a personage separate from evilness. Support for this appears in the tenth line: He is the corporate Silence: dread him not! The rest of the poem appeared to be a speech in the intrinsic nature of evil, but Poe was clear to point out his conclusion that death-the corporate silence is not evil in itself: No power hath he of evil in himself. There is a sense that Poe wanted to emphasize that there are boundaries (There is a twofold Silence- sea and shore(5)) while at the same time showing that in nature there is very little control ultimately over eventual outcomes (Newly with grass oergrown(7) ). Finally, there is confusion over whether nature’s control over man or evil’s control over man is winning or losing the battle once â€Å"Silence† steps in to assert the ultimate spin on the fate of man. .ud74c2b73c87b467cce3c375fb0d49a3c , .ud74c2b73c87b467cce3c375fb0d49a3c .postImageUrl , .ud74c2b73c87b467cce3c375fb0d49a3c .centered-text-area { min-height: 80px; position: relative; } .ud74c2b73c87b467cce3c375fb0d49a3c , .ud74c2b73c87b467cce3c375fb0d49a3c:hover , .ud74c2b73c87b467cce3c375fb0d49a3c:visited , .ud74c2b73c87b467cce3c375fb0d49a3c:active { border:0!important; } .ud74c2b73c87b467cce3c375fb0d49a3c .clearfix:after { content: ""; display: table; clear: both; } .ud74c2b73c87b467cce3c375fb0d49a3c { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ud74c2b73c87b467cce3c375fb0d49a3c:active , .ud74c2b73c87b467cce3c375fb0d49a3c:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ud74c2b73c87b467cce3c375fb0d49a3c .centered-text-area { width: 100%; position: relative ; } .ud74c2b73c87b467cce3c375fb0d49a3c .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ud74c2b73c87b467cce3c375fb0d49a3c .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ud74c2b73c87b467cce3c375fb0d49a3c .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ud74c2b73c87b467cce3c375fb0d49a3c:hover .ctaButton { background-color: #34495E!important; } .ud74c2b73c87b467cce3c375fb0d49a3c .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ud74c2b73c87b467cce3c375fb0d49a3c .ud74c2b73c87b467cce3c375fb0d49a3c-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ud74c2b73c87b467cce3c375fb0d49a3c:after { content: ""; display: block; clear: both; } READ: Turn of the century Vermont literature EssayOne story, â€Å"The Masque of the Red Death† clearly illuminates the chief impressions of horror fear and melancholy that Poe sought to create. â€Å"The Masque of the Red Death† takes place during the course of a particularly gruesome plague. The only true character, Prince Prospero, calls together a thousand of his friends to go into seclusion with him at one of his castellated abbeys until the plague has ended. A masquerade is thrown in seven distinct, joining rooms and the guests arrive in their elegant costumes and begin to partake in the festivities. The night is interrupted when a masked presence enters the room dressed in the garments of the dead with the symptoms of the plague of red death. The uninvited guest moves from room to room until confronted by the Prince Prospero in the apartment arrayed in black. Prince Prospero suddenly falls dead at the intruder’s feet and the crowd descends upon the intruder to find that the costume is â€Å"untenanted by any tangible form (Poe, Edgar Allan, 1406).† The guests soon begin to die as all acknowledged the presence of the Red Death (Poe, Edgar Allan: The Masque of the Red Death, 1). The story is shrouded in a great amount of symbolism. For instance the seven rooms are symbolic of the seven stages of life including deaththe black velvet chamber. The Prince must pass from the blue room through all of the other rooms to the black chamber to catch up with the Masque of the Red Death. The ebony clock symbolizes our internal clocks with its â€Å"clear and loud and deep and exceedingly musical (1403)† chiming. The theme of the story is chillingdeath cannot be avoided it is internal demon that holds an â€Å"illimitable dominion over all (1406).†Edgar Allen Poe explored the dark side of romanticism and made the line between sanity and insanity virtually vanish. His life and literature are best summed up by his own words, â€Å"They who dream by day are cognizant of many things which escape those who only dream by night (American Romanticism, 145)† Poetry